PS3 GAMES
Folklore®
If you had proof that there was life after death, would you live differently than you do now? Would the world change--and not just for the better? These are questions the characters in Folklore wrestle with. It sounds like the setup for a deep role-playing game, but in actuality, this is an action/adventure game with rather few RPG elements that tells an intriguing, convoluted story set in two distinct worlds: modern-day Ireland and an afterlife based on Celtic traditions. Folklore is an inconsistent game with some minor gameplay and storytelling issues that keep it from reaching its full potential. Nevertheless, even with these flaws, it manages to be an enjoyable journey into the lands of the dead, where our memories take many different forms.
The game is separated into two different regions. First, there is the Irish village of Doolin, where two characters are trying to solve a series of murders. One of them is Ellen, a young woman who's received a mysterious letter from someone claiming to be her long-lost mother, and encourages Ellen to come to the village to find her. The other is Keats, a reporter for an occult magazine who received a message of his own, one that points to strange goings-on in the same village. The second region is the netherworld, a series of afterlives that are home to the memories of the dead. There, a tale of political intrigue plays out that relates to the events in Doolin in ways both obvious and not so obvious. Just don't be surprised if at first you aren't all that taken in: It takes the story a while to ramp up.
The story itself is great, and it gets more and more elaborate before the twists begin to unravel. Unfortunately, the manner of storytelling isn't quite so grand. Most scenes play out like a graphic novel in that they feature static images and dialogue boxes without any voice acting, and with music that doesn't always fit the mood of the scene. It's an interesting design choice, but it's weirdly flavorless. Folklore wants you to invest psychologically in Ellen's mission, but it's hard to get a handle on her because those scenes are so devoid of personality. By contrast, the standard cutscenes that occasionally crop up are eerie, beautiful, and well acted, and they provide a distinct sense of place and time.
The real-world gameplay consists of moving either Ellen or Keats around the village to interact with other characters and look for the occasional clue. The game always tells you where to go and what to do, so the Doolin portions are like playing a PC adventure game, only without puzzles. The first five chapters are playable from both Keats' and Ellen's perspectives, so you'll experience the story from both sides. Each character's story is linear, but you can switch between them once a chapter is finished, so if you want to play out the initial five chapters as Ellen and then do them again as Keats, you can. But you're better served by finishing each chapter one at a time from both perspectives, an approach that keeps the story more consistent and interesting. You'd think it would be good to have the choice to follow each character as you see fit, but it's weird to go back to chapter one and play as Ellen if you've already completed several chapters as Keats. It really hurts the saga when you get the story out of order like this, so why developer Game Republic would have given players the chance to weaken the tale is an even greater mystery than Ellen's past.
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